Animation created in Flash and After Effects looking at mans relationship with the natural world.

Music: In the Hall of the Mountain King by Edvard Grieg.

facebook.com/SteveCuttsArt

twitter.com/#!/Steve_Cutts

www.stevecutts.com

Una bambina vola via col palloncino e assiste agli orrori della guerra. Poi, in cielo, si unisce a migliaia di altri palloncini rossi di bambini siriani. Il video d’animazione è stato realizzato da Banksy in occasione del terzo anniversario del conflitto siriano.

In un divertente video diffuso dalla compagnia telefonica NTT Docomo nella giornata di ieri, si mettono in luce tutti i pericoli di un uso eccessivo dello smarphone quando si cammina. Il breve filmato si intitola Samurai Smartphone Parade è usa un’ambientazione antica e ovviamente parodistica, in cui un gruppo di samurai comincia il rituale pellegrinaggio annuale dalla capitale Edo, l’odierna Tokyo, verso i possedimenti del loro daimyo. Assieme i samurai cominciano il cammino ma, tutti dotati di uno smartphone che ossessivamente usano e con cui si trastullano, non prestano alcuna attenzione a ciò che sta loro attorno.

Aruki sumaho (aruku=camminare, sumaho=contrazione e traslitterazione di smartphone), questa è la nuova espressione giapponese coniata dai media dell’arcipelago per definire chi usa il telefonino mentre cammina, una pratica che ogni anno porta nel Sol Levante a parecchi incidenti e incovenienti, almeno prestando fede a ciò che dice la Docomo. Come scritto nel video (sottotitolato in inglese) che potete vedere qui sotto, il 66% di quelli che usano uno smartphone quando camminano si scontrano con altre persone ed il 3.6% finisce per cadere dai binari quando aspetta il treno o la metropolitana. Il video si conclude con due interessanti cifre: il 99% delle persone pensa che sia pericoloso camminare ed usare lo smartphone, ma il 77% lo ha fatto almeno una volta.




http://www.opusbou.com.ar
info@opusbou.com.ar
Cortometraje de animación / animated short film
Ganador de 102 premios internacionales / Winner of 102 International Awards.

Dirección / Direction: Santiago 'Bou' Grasso
Idea: Patricio Plaza
Animación / Animation: Santiago Grasso / Patricio Plaza
Productora / Production company: Opusbou


IDIOTS from BLR_VFX on Vimeo.



It’s not a secret we love robots here at BLR, so we wanted them to be the heroes in our latest promo clip. Luxury cars with powerful engines to drive through roads under severe speed restrictions, cable TV that allows us to pay to watch all kind of sports, all from our comfortable sofa, and of course, hyper expensive cell phones that do almost everything but making a decent phone call. Yes, our happiness is based on things we don’t need and governed by entities we don’t control, so what? Sit down and turn on the tv! The robots were taken from real Japanese robot model kits, and they now hold a privileged position in our freak museum. The bad guy spits real smoke out of its mouth! The environment is made of cardboard houses that were integrated with the help of camera tweaks. It all serves to the purpose of creating a dumb homogeneous atmosphere in which we’re defined by what we’ve got, that is, the same lame things. Don’t take the message too seriously. This is a promo video we’ve done to laugh at ourselves. We all have an i-diot inside, and it’s so fun!

Culture Jam: Hijacking Commercial Culture (Trailer) from Ezra Winton on Vimeo.


A new breed of revolutionary stands poised along our information highways waging war on logos and symbols. They're "Culture Jammers" and their mission is to artfully reclaim our mental environment and cause a bit of brand damage to corporate mindshare.


Two fabric loops, driven by a motor divide space. At certain points there are light sensors installed to receive signals from the opacity of the textile, which get translated into audio signals.The musicality of the instrument can be experienced by sliding or positioning the sensor across the fabric tracks. It works as Mediaperformance as well as an interactive sound art installation.

http://www.kathrinstumreich.com/stofftonband/

FlickFlock from Jordi Puig on Vimeo.


Interacting with Flick Flock:
As soon as the body starts to move in the space, changes in the urban place take place. There are different potential changes that may take place (one at a time or simultaneously): (1) User is moving freely (i.e. the position of the hands and head are continuously moving in space wider apart from each other or in a certain direction) triggers the camera movement/panning and the lighting or changes of scene in the virtual environment (2) Within the flickering bubbles displayed in the sky, video captures of previous interactions from different people or the current user him/herself are displayed. These video captures try to play as much similar or opposed movement as possible from the pool of captured video. (3) The panning of the sound is also influenced by the movement of the body (e.g. movement to the left triggers a sound on the left speaker).

http://www.vimeo.com/8195788

Občan K. / Citizen K. / Der Bürger K. from Občan K. on Vimeo.


Prague – Czech art pranksters, whose Ztohoven art collective gained international notoriety for implanting images of a fictional atomic blast on live television, face legal action for their latest prank.

Police on Friday launched an investigation into the group’s latest project, during which 12 guerrilla artists lived for months under each other’s identity.

The action aimed to draw the attention to the omnipresent Big-Brother-like control of the public by authorities.

The artists applied for new identity cards with computer-altered photographs that combined features of two members of the group – the man who would use the card and the man in whose name it was issued.

A video on their web site shows that they used the fake identity to get married, travel abroad and even vote in the Czech Republic’s May 28-29 general election.

http://artoftheprank.com/2010/06/19/ztohoven-art-collective-launch-citizen-k-identity-swap/#more-10858




Click image to play the video

.re_potemkin: a copyleft crowdsourcing free/open source project_.f.reeP_ project by .-_-.

Battleship Potemkin is a 1925 silent film by Sergei Eisentein, which is in public domain now.

For re_potemkin project, Sergei Eisenstein’s film “Battleship Potemkin” was re-produced by 105 students of Yildiz Technical University, faculty of art and design, Basic Design course during December 2006 and January 2007 in 15 groups, following the original shots of Eisenstein using crowdsourcing model. Original script was translated to Turkish from Russian original and English translations. Bilingual intertitles and an original soundtrack was also prepared for the film as well as a project poster and a web site, all using crowdsourcing model.

Eisenstein’s “Battleship Potemkin” is in public domain. The project “re-potemkin” and all the sources including video, music, scripts, intertitles and edits created for this project are also .copyleft!_ and are being distributed through this web site and p2p networks.

http://re-potemkin.httpdot.net/





INFO:
Brett Gaylor, USA, English
http://www.opensourcecinema.org/
http://www.ripremix.com/
http://www3.nfb.ca/webextension/rip-a-remix-manifesto/

--->> IF YOU LIKE THIS FILM, DONATE!!!
http://www.ripremix.com/donate/ <<----


(en) RiP: A remix manifesto is an open source documentary about copyright and remix culture. Created over a period of six years, the film features the collaborative remix work of hundreds of people who have contributed to this website, helping to Create the world's first open source documentary.

This film is released under a CC-BY-NC licence. This means anyone can copy, distribute and use the movie for any non-commercial purposes. The movie is made by the Canadian Eye Steel Film.
If you like the film, go to Open Source Cinema's web-pages and contribute! All the source material is freely available!
PS everyone needs to see this film! Bug your friends into seeing it.
If you are inspired by this film and want change, join a civil liberties group so they get more influence in stopping big media.
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